Vivian Maier's Hidden Negatives

Written by Studio AM.

In 2007, John Maloof bought photographic negatives at a Chicago auction while researching a neighbourhood. The images led him to the work of Vivian Maier, a nanny who had spent decades photographing everyday life. Material from her storage was acquired by several buyers, so no single box contained her whole photographic career.

Maier worked in New York and Chicago and made more than a hundred thousand exposures. Her pictures include street scenes, portraits and self-portraits. She often used a twin-lens camera with a waist-level viewfinder, allowing her to compose an image while looking down. Much of her film remained unprinted, and some rolls were still undeveloped.

Her work gained widespread attention after her death in 2009. This posthumous recognition brought an extensive collection to public view, but it also left questions about authorship and choice. Maier could no longer explain which images she wanted exhibited or how she would have selected and printed them.

Keeping photographs does not by itself prove either a wish for permanent privacy or a wish for fame. Collections can remain unseen for many reasons. A responsible exhibition can acknowledge what is known about Maier while making clear which selections and presentation decisions belong to later curators.

Questions

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  1. Question 1 of 4

    Which statement best captures the main idea of the passage?

  2. Question 2 of 4

    Why was Maloof looking for photographs when he bought the negatives?

  3. Question 3 of 4

    Which exhibition note would best reflect the passage's approach?

  4. Question 4 of 4

    In the passage, 'posthumous' means:

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