The Mended Thing

Written by Studio AM.

When something breaks, a common reflex is to replace it. A torn coat may be cheap to replace, while a repair requires tools or skills we do not have. That can make replacement convenient. Yet we sometimes discard an object before finding out whether a simple repair would work.

Yet a mended thing carries something a new one cannot. The Japanese art of kintsugi repairs broken pottery with lacquer and powdered gold, refusing to hide the damage and instead treating the repair as part of the design. The cup is not returned to what it was; it becomes something else, a record of having been broken and cared for. The repair is visible on purpose.

This gives us another way to value an object. A flawless surface is not its only appealing feature. But an object that has been kept, fixed, and kept again holds a history that a perfect replacement does not share. Its value is not in spite of the damage but partly because of it.

I think that possibility is worth considering, and not only for objects. A routine or a plan that no longer works might need adjustment rather than complete replacement. The question is not whether everything must be saved, but whether we have considered what a repair could preserve.

Questions

Choose an answer. The explanation appears after you answer.

  1. Question 1 of 4

    What is the essay mainly arguing?

  2. Question 2 of 4

    What does kintsugi use to repair broken pottery?

  3. Question 3 of 4

    The final paragraph extends the idea to suggest that:

  4. Question 4 of 4

    What does 'reflex' mean in this passage?

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